A decade after the 9/11 attacks, this groundbreaking book takes readers deep into rebellions against both autocrats and extremists that are redefining politics, culture, and security threats across the Islamic world. The awakening involves hundreds of millions of people. And the political transformations— and tectonic changes—are only beginning. Robin Wright, an acclaimed foreign correspondent and television commentator, has covered the region for four decades. She witnessed the full cycle, from extremism’s angry birth and globalization to the rise of new movements transforming the last bloc of countries to hold out against democracy. Now, in Rock the Casbah, she chronicles the new order being shaped by youthinspired revolts toppling leaders, clerics repudiating al Qaeda, playwrights and poets crafting messages of a counter-jihad, comedians ridiculing militancy, hip-hop rapping against guns and bombs, and women mobilizing for their own rights. This new counter-jihad has many goals. For some, it’s about reforming the faith. For others, it’s about reforming political systems. For most, it’s about achieving basic rights. The common denominator is the rejection of venomous ideologies and suicide bombs, plane hijackings, hostage-takings, and mass violence to achieve those ends. Wright captures a stunning moment in history, one of the region’s four key junctures—along with Iran’s revolution, Israel’s creation, and the Ottoman Empire’s collapse—in a century. The notion of a clash of civilizations is increasingly being replaced by a commonality of civilizations in the twenty-first century. But she candidly details both the possibilities and pitfalls ahead. The new counter-jihad is imaginative and defiant, but Muslim societies are also politically inexperienced and economically challenged.

This updated reissue of Mark LeVine’s acclaimed, revolutionary book on sub- and countercultural music in the Middle East brings this groundbreaking portrait of the region’s youth cultures to a new generation. Featuring a new preface by the author in conversation with the band The Kominas about the problematic connections between extreme music and Islam. An eighteen-year-old Moroccan who loves Black Sabbath. A twenty-two-year-old rapper from the Gaza Strip. A young Lebanese singer who quotes Bob Marley’s “Redemption Song.” Heavy metal, punk, hip-hop, and reggae are each the music of protest, and are considered immoral by many in the Muslim world. As the young people and subcultures featured in Mark LeVine’s Heavy Metal Islam so presciently predicted, this music turned out to be the soundtrack of countercultures, uprisings, and even revolutions from Morocco to Pakistan. In Heavy Metal Islam, originally published in 2008, Mark LeVine explores the influence of Western music on the Middle East and North Africa through interviews with musicians and fans, introducing us to young people struggling to reconcile their religion with a passion for music and a thirst for change. The result is a revealing tour de force of contemporary cultures across the Muslim majority world through the region’s evolving music scenes that only a musician, scholar, and activist with LeVine’s unique breadth of experience could narrate. A New York Times Editor’s Pick when it was first published, Heavy Metal Islam is a surprising, wildly entertaining foray into a historically authoritarian region where music reveals itself to be a true democratizing force—and a groundbreaking work of scholarship that pioneered new forms of research in the region.

Pat Gilbert’s definitive biography of the Clash – universally acclaimed as a great book – has already sold over 20,000 copies in paperback. Now, for the 30th anniversary of the band’s classic London Calling album, it is reissued with a stunning new cover. For the book Pat Gilbert – a former Mojo editor with the highest credentials – talked to everyone, in over 70 interviews with the key participants – roadies, producers, friends and fans - and above all the band members themselves, including Joe Strummer before his death, to be able to give the first real insight into what went on behind the scenes during the Clash’s ten-year career. With the surge in interest generated by the Shea Stadium live CD and the official Clash book, Passion Is A Fashion will attract a new sale as the only truly indispensable Clash book.

"With a new epilogue, The Morning After"--Cover.

(Faber Piano Adventures ). Accelerated Theory Book 2 is divided into fifteen units, correlating with the fifteen units of Lesson Book 2. Each unit provides valuable reinforcement of basic theory concepts through writing, sightreading, and ear-training activities.

Punk rock innovators the Clash were the first group to bring this style of high-energy music to the top of the charts. Their songs were explosive acts of defiance that combined the sounds of rockabilly, reggae, funk, and hip-hop. This engaging book examines how the group used music, art, and fashion to deliver a strong political message. Through full-color photographs, fascinating direct quotations, and informative sidebars, readers will discover how in the band's short history, the Clash created exciting and brand-new sounds and spoke out against racism and consumerism. Moving beyond hits such as "Rock the Casbah" and "Should I Stay or Should I Go?" this text reveals why some called the group "the only band that matters."

Forget what you know of England, of the 'Land of Hope and Glory.' Instead, try damp and depressing, and embrace this miserable island for what it is. Our story kicks off in 1976: the country coming apart at its flared corduroy seams, a decade after the Great Train Robbery, when British crime has gone decidedly soft in the middle. Time for a new generation of criminals to rise: a band of snotty-nosed heroes driven by destiny and cheap cider, who will strike fear back into the establishment, put art back into crime and crime back into art, and pull off what will become known as the heist of the century. This new series from Simon Oliver (FBP: FEDERAL BUREAU OF PHYSICS) and Rufus Dayglo (Tank Girl) spans three decades, from the punk rock '70s to the decadent '80s and beyond, charting the rise, fall and redemption of a group of bandits that changed the face of the criminal underworld and closed the door on a legacy.